البنية ُ الدراميةُ في شعرِ مظفرِ النوابِ دراسة ٌ تحليلية ٌ

Rp- Dramatic structure in the poetry of Mothaffar Al-Nawab، an analytical study.pdf

In the Name of Allah the Most Gracious the Most Merciful

Praise be to God، Lord of the worlds، and prayers and peace be upon the Messenger Muhammad (PBUH)، his good and pure family، and all his companions.
And yet
The poet Mothaffar Al-Nawab is one of the innovative poets in modern Arabic literature. The study of the dramatic structure requires the researcher to be familiar with the poet’s poetry، which is a renewed linguistic performance، and that it is indicative of the life of awareness in society and the extent of its actual impact. One of the poets of Arab modernity، his texts are based on starting points and innovations، including its modernity، and the fact that poetry and its importance is considered a means of expressing reality and the life of the poet who relies on the style of dialogue and the element of drama in order to express his intention and influence the recipient and draw his attention، as this style creates movement in the poetic poem Emotion، suspense، and deepening the meanings، and his poetry influences the tension of the conflict that attracts the reader to the poetic text، and since the poetic experience that the poet Mothaffar Al-Nawab lived through created influential factors in the transmission of texts، including political، social and psychological ones، his poems relied on these influences and took their presence through Poetic productions، and perhaps what distinguishes the poet is that he carried a rebellious spirit full of various contradictions and condemnation of everyone who sought injustice and tyranny، where he rebelled artistically، and explained in his literary poetry himself. It is based in reality، and therefore the poet absorbed the heritage and was influenced by the awareness and feeling of distinguished poets from the ancients or those who preceded him، in addition to his conscious view of the modern poetic achievement of many of the pioneer poets.
He mastered the new poetry، and the researcher dealt with the study (the dramatic structure in the poetry of Mothaffar Al-Nawab، an analytical study) as a prelude to the study، including drama and the concept in the past and modern times. The structure of the dramatic conflict، internal and external، the

structure of the dramatic event، the temporal affairs of retrieval and anticipation، as well as the structure of the political and emotional story،
dealing with dramatic figures، including mythical، historical، literary، religious،
and other personalities، while talking about dramatic techniques and a source of self-decreasing in its branches Quranic، literary and religious، and talked about ostentation، embodiment، diagnosis، paradox، and mask in the dramatic text، and then the most prominent results of the conclusion and a dimension: sources، references، dissertations، letters، and periodic research in journals. Perhaps the main objectives of this study lie in the use of poetry in aesthetic formulas، which I presented These dramatic performances of the poet and the nature and cohesion between drama and poetry it formed a natural extension of the poetic movement produced by the poet.
And our last call: (Praise be to God، Lord of the worlds، and may prayers and peace be upon the best of all creation، Muhammad al-Mustafa and his God، the good and the pure) .