شِعرُ طَلْحَةَ العَونِيّ (ت حوالي350هــ) دراسة فنيــــــــــــة

Rp-Verse of Telha Al Aoni (Died 350 H.): An Artistic Study .pdf

The poet Telha Al Aoni is considered one of the second Abasid era poets. This era was characterized by poetry development and rise of the intellectual and literary life. Telha Al Aoni is an Imami poet who praised and lamented the prophet’s progeny and criticized enemies.
Nature of the study required to be divided into a preface, four chapters, and conclusion of the most important results. The preface discussed features of the people’s life in the fourth Hijri century as some aspects of the poet’s life, his career and his knowledge. The second part of the preface mentioned the aspects of poetic topics including praise, lamenting, and satire.
The first chapter was about the artistic constructions where poems were studied, it has three pattrens: poems with introduction ( complete structure poems), direct poems, and stanzas. The highest percentage was about the direct poems save three conventional poems.
The second chapter was devoted to poetic language, it has two sections. The first section was about the vocabulary where religious expressions were the most prominent ones in his verse. This followed by wars and weapon vocabulary, as well the expressions of place and nature. The second section tackled styles. However, the poet used interrogative, vocative, emphasis, negation, fronting, and delaying and imperative style.
The third chapter described the poetic image, it has two sections. The first section stated the rhetoric image and metonymy image. The second section tackled the abstract image including visual image, audible image, moody image, and touchable image.
The fourth chapter was about the poetic harmony, it has two sections. The first section was about meter and rhythm. Meter studied the poetic meters that Telha Al Aoni composed. Thus, the poet wrote in fifteen meters of Arabic verse such as ( Al Teweal, Al Rejiz, Al Beseat, Al Kamil,and Al Wafir, Al Wafir), while rhythm was divided into the absolute and restricted; in addition the rhythm defaults were discussed which were mentioned in the verse of Telha Al Aoni. The second section tackled the internal harmony that deal with the most important harmonic aspects represented by repetition, alliteration, antithesis, leonine rhyme, rotation, and obligation of what is not necessary.