شعر مسابقة (مراقي المجتبى )الخاص بالإمــــــــام الحـــــــــسن ( ) ( دراسة أسلوبية)

Imam Hassan (peace be upon him) The Poetry of Maraqi al-Mujtaba competition, a stylistic study

Stylistics is one of the most important modern critical approaches that is concerned with approaching and analyzing the literary text. Stylistic studies have developed rapidly in modern studies and have grown in popularity due to the cultural interaction with Western studies. It reveals the linguistic and literary orientation of the poet and his ability to employ language and how to employ it in the service of his intellectual orientations. From this standpoint, the imagination of poets imitated the qualities and virtues of Imam Hassan (peace be upon him) and the family of the Prophet (peace be upon them) in a distinct modern style. They did not adhere to one approach in writing their poems. They sought to build the poem with vertical harmony sometimes and the poem with free structure at other times, the prose poem. After relying on Allah Almighty – I started writing this research, and the study plan came in four chapters preceded by an introduction and ending with a conclusion. The introduction was focused on two main details: the first: I studied stylistics (term and concept), while the second: It included a shed light on the Maraqi Al-Mujtaba competition, and the first chapter came under the title (Rhythmic Level) and included two topics, the first entitled (External) rhythm, which was divided into two axes: the first: Weights and the second: Rhymes, while the second topic studied the internal rhythm and included the study of three axes: the first: Repetition, the second: Phonetic paronomasia, and the third: Parallelism. As for the second chapter, I studied the structural level, as the study came in three topics. The first topic came under the title: (Accumulation in Sentences) and was divided into two axes: the first: Accumulation of verbal sentences, and the second: Accumulation of nominal sentences, while the second topic was under the title (Methods of Request) and included the methods of interrogation, calling, command, and prohibition, while the third topic dealt with the study of structural methods ( The third chapter was titled (The Pictorial Level) and included four topics, the first of which was titled (Stylistics of Similarity (Simile) and this topic came in three axes: the first: the eloquent simile, the second: the extended simile, and the third: the representative simile. As for the second topic, I studied the stylistics of substitution (metaphor) and it included two axes: the first: the implied metaphor and the second: the explicit metaphor. The third topic was titled (Stylistics of Adjacency (Metonymy) and focused on three styles: the first: a metaphor for an attribute, the second: a metaphor for a described, and the third: a metaphor for the proportion. While the fourth chapter was titled (Other Stylistic Techniques) and was divided into two topics: the first included a study of (Intertextuality) in its forms: religious intertextuality and literary intertextuality. As for the second topic, it included (Stylistics of Contrast) if it was based on three types: the first: the contrastive contrast, the second: the adjacent contrast, and the third: the contrast of negation. (Negative). The study ended with a conclusion that included the most important results reached by the research, then a list of sources and references and a summary of the study in English